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12 O'Clock Boys Dir. Lotfy Nathan
The 12 O'CLOCK BOYS are a notorious urban dirt bike pack in Baltimore -- popping wheelies and weaving at excessive speeds through traffic, the group impressively evades the hamstrung police. In Lotfy Nathan's wild, dynamic documentary (three years in the making), their stunning antics are envisioned through the eyes of young adolescent Pug - a bright kid from the Westside obsessed with the riders and willing to do anything to join their ranks. Premiering to critical acclaim at the SXSW and Hot Docs Film Festivals (where Nathan won the HBO Emerging Artist Award), 12 O'CLOCK BOYS provides a compelling and intimate personal story of a young boy and his dangerous, thrilling dream.
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A Teacher Dir. Hannah Fidell
Part psychological thriller and part provocative character study, A TEACHER explores the unraveling of a young high school teacher, Diana (Lindsay Burdge), after she begins an affair with one of her teenage students, Eric (Will Brittain). What starts as a seemingly innocent fling becomes increasingly complex and dangerous as the beautiful and confident Diana gets fully consumed by her emotions, crossing boundaries and acting out in progressively startling ways. Lindsay Burdge delivers a deeply compelling and seamlessly naturalistic performance that brings us into the mind of an adult driven to taboo against her better judgment.
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Teenage Dir. Matt Wolf
Teenagers didn't always exist. They had to be invented. As the cultural landscape around the world was thrown into turmoil during the industrial revolution, and with a chasm erupting between adults and youth, the concept of a new generation took shape. Whether in America, England, or Germany, whether party-crazed Flappers or hip Swing Kids, zealous Nazi Youth or frenzied Sub-Debs, it didn't matter - this was a new idea of youth. They were all "Teenagers."
A hypnotic rumination on the genesis of youth culture from the end of the 19th century to the first half of the 20th, Matt Wolf's TEENAGE is a living collage of rare archival material, filmed portraits, and diary entries read by Jena Malone, Ben Whishaw, and others. Inspired by Jon Savage's book and set to a shimmering contemporary score by Bradford Cox (Deerhunter / Atlas Sound), TEENAGE is a mesmerizing trip into the past and a riveting look at the very idea of "coming-of-age."
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Whitewash Dir. Emanuel Hoss-Desmarais
In the harsh, wintry woods of rural Quebec, Bruce (Academy Award®-nominee Thomas Haden Church), a down-on-his-luck snowplow operator, accidentally kills a man during a drunken night joyride. Stricken with panic, he hides the body and takes to the deep wilderness in hopes of outrunning both the authorities and his own conscience.
But as both begin to close in, Bruce falls apart mentally and morally and mysteries unravel to reveal who he was before the accident, the truth behind his victim, and the circumstances that brought them together in a single moment.
A darkly comic noir in the vein of the Coen Brothers, Emanuel Hoss-Desmarais's WHITEWASH is a gripping exploration of a well-meaning Everyman at the end of his rope.
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Stand Clear of the Closing Doors Dir. Sam Fleischner
Directed by Fleischner from a script by Rose Lichter-Mark and Micah Bloomberg, STAND CLEAR OF THE CLOSING DOORS tells the story of Ricky, a 13-year old boy with Asperger’s Syndrome who gets lost one day in the New York City subway system. While his mother frantically searches for him above ground, the sensory-sensitive Ricky is exposed to the cacophony, eccentricity, and menace found in New York’s underground (including some scenes shot during Hurricane Sandy, which came to figure into the film’s story), resulting in a truly authentic view into both the wonders and the horrors of what lies below.
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Mother of George Dir. Andrew Dosunmu
Adenike and Ayodele (The Walking Dead's Danai Gurira and veteran actor Isaach De Bankolé) are a Nigerian couple living in Brooklyn. Following the joyous celebration of the their wedding, complications arise out of their inability to conceive a child - a problem that devastates their family and defies cultural expectations, leading Adenike to make a shocking decision that could either save her family or destroy it. Acclaimed director Andrew Dosumnu (Restless City) captures the nuances of this unique and fascinating culture by creating a beautiful, vibrant, and moving portrait of a couple whose joys and struggles are at once intimate and universal.
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These Birds Walk Dir. Omar Mullick & Bassam Tariq
In Karachi, Pakistan, a runaway boy's life hangs on one critical question: where is home? The streets, an orphanage, or with the family he fled in the first place? Simultaneously heart-wrenching and life-affirming, THESE BIRDS WALK documents the struggles of these wayward street children and the samaritans looking out for them in this ethereal and inspirational story of resilience.
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It's A Disaster Dir. Todd Berger
Eight friends meet for their monthly “couples brunch." But what starts as an impromptu therapy session / airing of domestic grievances takes a sudden, catastrophic turn when the city falls victim to a mysterious attack. Trapped in the house and unsure of their fates, these seemingly normal people become increasingly unhinged to hilarious, surprising, and revealing results.
IT'S A DISASTER is a fast-paced ensemble comedy about the worst brunch ever: the eggs are cold, the tensions are high, and the end is near.
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After Tiller Dir. Martha Shane & Lana WIlson
AFTER TILLER intimately explores the highly controversial subject of third-trimester abortions in the wake of the 2009 assassination of practitioner Dr. George Tiller. The procedure is now performed by only four doctors in the United States, all former colleagues of Dr. Tiller, who risk their lives every day in the name of their unwavering commitment toward their patients. Directors Martha Shane and Lana Wilson have created a moving and unique exploration of one of the most incendiary topics of our time, and they’ve done so in an informative, thought-provoking, and compassionate way.
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Coherence Dir. James Ward Byrkit
On the night of an astrological anomaly, eight friends at a dinner party experience a troubling chain of reality bending events. Part cerebral sci-fi and part relationship drama, COHERENCE is a tightly focused, intimately shot film that quickly ratchets up with tension and mystery.
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Reality Dir. Matteo Garrone
From acclaimed director Matteo Garrone, REALITY is a darkly comic look at Luciano, a charming and affable fishmonger whose unexpected and sudden obsession with being a contestant on the reality show “Big Brother” leads him down a rabbit hole of skewed perceptions and paranoia. So overcome by his dream of being on reality TV, Luciano’s own reality begins to spiral out of control, making for one of the most compelling tragicomic character studies since Scorsese’s The King of Comedy.
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Breakup At A Wedding Dir. Victor Quinaz
On the eve of their wedding, Alison gets cold feet and decides to break up with her fiancé Phil. But rather than face the embarrassment of calling off the ceremony, Alison suggests to Phil that they proceed with a sham wedding. Phil is more than game to try, secretly hoping that a surprise gift he has for Alison will ultimately change her mind. Yet once the guests begin to arrive, more complications ensue than either of them could have ever imagined - even if they did know their wedding was bullshit.
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Wild Combination Dir. Matt Wolf
WILD COMBINATION is director Matt Wolf’s visually absorbing portrait of the seminal avant-garde composer, singer-songwriter, cellist, and disco producer Arthur Russell. Before his untimely death from AIDS in 1992, Arthur prolifically created music that spanned both pop and the transcendent possibilities of abstract art. Now, over fifteen years since his passing, Arthur's work is finally finding its audience. Wolf incorporates rare archival footage and commentary from Arthur's family, friends, and closest collaborators—including Philip Glass and Allen Ginsberg—to tell this poignant and important story.
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The Kill Team Dir. Dan Krauss
Equal parts infuriating and illuminating, THE KILL TEAM looks at the devastating moral tensions that tear at soldiers’ psyches through the lens of one highly personal and emotional story. Private Adam Winfield was a 21-year-old soldier in Afghanistan when he attempted with the help of his father to alert the military to heinous war crimes his platoon was committing. But Winfield’s pleas went unheeded. Left on his own and with threats to his life, Private Winfield was himself drawn into the moral abyss, forced to make a split-second decision that would change his life forever.
With extraordinary access to the key individuals involved in the case – including Private Winfield, his passionately supportive parents, and Winfield’s startlingly candid compatriots in the so-called “Kill Team”— Krauss expertly constructs a film that is a balanced and nuanced look at the personal stories so often lost inside the larger coverage of the longest war in US history.
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The Past is a Grotesque Animal Dir. Jason Miller
THE PAST IS A GROTESQUE ANIMAL is a personal, accessible look at an artist - Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?
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Bunohan: Return to Murder Dir. Dain Said
Set in a border town in northeastern Malaysia of the same name, BUNOHAN tells the powerful story of three estranged brothers – Adil, Bakar and Ilham – and their ailing father, whose fates become tragically intertwined in a web of deceit and corruption. After fleeing a deathmatch in Thailand, Adil the kickboxer is on the run from Ilham the hitman. The chase brings them to Bunohan, where they crash into the shady schemes of the ambitious businessman, Bakar. The trio’s unlikely homecoming brings to light the past of Pok Eng the patriarch, whose secrets will unravel the lives of all. Each man’s unfulfilled struggle for reconciliation and forgiveness leads to the violence of loss, betrayal, corruption and murder.
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Samsara Dir. Ron Fricke
Prepare yourself for an unparalleled sensory experience. SAMSARA reunites director Ron Fricke and producer Mark Magidson, whose award-winning films BARAKA and CHRONOS were acclaimed for combining visual and musical artistry. SAMSARA is a Sanskrit word that means “the ever turning wheel of life” and is the point of departure for the filmmakers as they search for the elusive current of interconnection that runs through our lives. Filmed over a period of almost five years and in twenty-five countries, SAMSARA transports us to sacred grounds, disaster zones, industrial sites, and natural wonders. By dispensing with dialogue and descriptive text, SAMSARA subverts our expectations of a traditional documentary, instead encouraging our own inner interpretations inspired by images and music that infuses the ancient with the modern.
Expanding on the themes they developed in BARAKA (1992) and CHRONOS (1985), SAMSARA explores the wonders of our world from the mundane to the miraculous, looking into the unfathomable reaches of man’s spirituality and the human experience. Neither a traditional documentary nor a travelogue, SAMSARA takes the form of a nonverbal, guided meditation. Through powerful images, the film illuminates the links between humanity and the rest of nature, showing how our life cycle mirrors the rhythm of the planet.
The filmmakers approach non verbal filmmaking with an understanding that it must live up to the standard of great still photography, revealing the essence of a subject, not just its physical presence. SAMSARA was photographed entirely in 70mm film utilizing both standard frame rates and with a motion control time-lapse camera designed specifically for this project. This camera system allows perspective shifts to reveal extraordinary views of ordinary scenes. The images were then transferred through the highest resolution scanning process available to the new 4K digital projection format that allows for mesmerizing images of unprecedented clarity. SAMSARA will be a showpiece for the new, high-resolution 4K digital projection, the HD format, as well as standard digital and film projection.
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Shut Up And Play The Hits Dir. Dylan Southern and Will Lovelace
If it’s a funeral… let’s have the best funeral ever.
On April 2nd, 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden. LCD frontman James Murphy had made the conscious decision to disband one of the most celebrated and influential bands of its generation at the peak of its popularity, ensuring that the band would go out on top with the biggest and most ambitious concert of its career. The instantly sold out, near four-hour extravaganza did just that, moving the thousands in attendance to tears of joy and grief, with New York Magazine calling the event “a marvel of pure craft” and TIME magazine lamenting “we may never dance again.” SHUT UP AND PLAY THE HITS is simultaneously a document of a once-in-a-lifetime performance and an intimate portrait of Murphy as he navigates both the personal and professional ramifications of his decision.
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Wasteland Dir. Rowan Athale
After being released from prison for a crime he didn't commit, Harvey Miller (Attack The Block's Luke Treadaway) has revenge on his mind. He recruits his three best friends to help him rob the local drug kingpin whose betrayal put him away in the first place. As the kingpin catches wind of the con, Harvey's plan evolves into a suspenseful and exciting scheme full of surprising twists that will keep you guessing until the very end.
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Our Day Will Come Dir. Romain Gavras
In this hallucinatory thriller, two outcast redheads – a psychologist (Vincent Cassel) and a bullied teen (Olivier Barthélémy) - embark on a journey to Ireland. But what starts as a search for a more tolerant community soon descends into a rampage of violence and destruction for the ginger-haired duo.
The debut feature of Romain Gavras, director of Kanye West & Jay-Z's "No Church in the Wild" and the controversial M.I.A. music video "Born Free", OUR DAY WILL COME is a stylish, mind-twisting trip.
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Soul of a Banquet Dir. Wayne Wang
Director Wayne Wang (THE JOY LUCK CLUB) takes us into the world of Cecilia Chiang, the woman who introduced America to authentic Chinese food. Chiang opened her internationally renowned restaurant The Mandarin in 1961 in San Francisco and went on to change the course of cuisine in America. The film is equal parts a delectable showcase of gastronomy and a touching portrait of Chiang’s journey from a childhood in Beijing before the Cultural Revolution to accidental restaurateur on the west coast of the United States. SOUL OF A BANQUET features interviews with Alice Waters, Ruth Reichl, and Cecilia Chiang herself.
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We Need To Talk About Kevin Dir. Lynne Ramsay
A suspenseful and gripping psychological thriller, Lynne Ramsay’s WE NEED TO TALK ABOUT KEVIN explores the fractious relationship between a mother and her evil son. Tilda Swinton, in a bracing, tour-de-force performance, plays the mother, Eva, as she contends for 15 years with the increasing malevolence of her first-born child, Kevin (Ezra Miller).
Based on the best-selling novel of the same name, WE NEED TO TALK ABOUT KEVIN explores nature vs. nurture on a whole new level as Eva's own culpability is measured against Kevin's innate evilness. Ramsay's masterful storytelling simultaneously combines a provocative moral ambiguity with a satisfying and compelling narrative, which builds to a chilling, unforgettable climax.
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If A Tree Falls: A Story of the Earth Liberation Front Dir. Marshall Curry
2012 ACADEMY AWARD® NOMINEE - BEST DOCUMENTARY FEATURE
On December 7th, 2005, federal agents conducted a nationwide sweep of radical environmentalists involved with the Earth Liberation Front — an organization the FBI has called America’s “number one domestic terrorism threat.”
IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT is the remarkable story of the group's rise and fall, told through the transformation and radicalization of one of its members, Daniel McGowan. Part coming-of-age tale, part cops-and-robbers thriller, the film interweaves a chronicle of McGowan facing life in prison with a dramatic investigation of the events that led to his involvement with the ELF. Using never-before-seen archival footage and intimate interviews — with cell members and with the prosecutor and detective who were chasing them — IF A TREE FALLS asks hard questions about environmentalism, activism, and the way we define terrorism.
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Wuthering Heights Dir. Andrea Arnold
Andrea Arnold's WUTHERING HEIGHTS is an excitingly fresh and distinct take on the classic novel by Emily Brontë.
An epic love story that spans childhood well into the young adult years, the film follows Heathcliff, a boy taken in by a benevolent Yorkshire farmer, Earnshaw. Living in Earnshaw's home, Heathcliff develops a passionate relationship with the farmer's teenage daughter, Catherine, inspiring the envy and mistrust of his son, Hindley. When Earnshaw passes away, the now-grown characters must finally confront the intense feelings and rivalries that have built up throughout their years together.
Arnold's film is a beautiful and evocative visual masterpiece that brings out the powerful emotions at the heart of Brontë's classic novel, resulting in a viscerally affecting love story. It is a sweepingly old-fashioned tale of family, class, and romance told in a bracingly modern way by one of contemporary cinema's most gifted and unique filmmakers.
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FOR MORE HI-RES IMAGES FROM WUTHERING HEIGHTS, PLEASE VISIT THE OFFICIAL WEBSITE:
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Hello I Must Be Going Dir. Todd Louiso
Selected as the opening night film for Sundance 2012, HELLO I MUST BE GOING features acclaimed actress Melanie Lynskey (WIN WIN, UP IN THE AIR, TWO AND A HALF MEN) in her breakout role as Amy, a recent divorcée who seeks refuge in the suburban Connecticut home of her parents (Blythe Danner and John Rubinstein). Demoralized and uncertain of her future, Amy begins an affair with a 19-year-old actor (GIRLS’ Christopher Abbott) that jumpstarts her passion for life and helps her discover an independence and sense of purpose that she has missed for years. Coupling Danner’s subtly riveting performance as a frustrated empty nester with Lynskey’s endearing and nuanced depiction of both the comic and tragic avenues of an existential crossroads, HELLO I MUST BE GOING is a modern, unconventional love story infused with sex, humor, and emotional honesty – everything Amy will need to get on in life.
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Only The Young Dir. Jason Tippet & Elizabeth Mims
ONLY THE YOUNG follows the story of three teenagers that live in a small desert town in Southern California – a town dominated by foreclosed homes and underpasses, unfilled swimming pools and skate parks. These kids must find things to do in a place that offers nothing – yet in the course of observing their day-to-day lives, we see them discover friendship, first love, heartbreak, and what it means to be young. Tippet and Mims’ delicate, ethereal filmmaking and ONLY THE YOUNG’s innocent yet rebellious subjects collectively embody the very essence of adolescence.
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Tchoupitoulas Dir. Bill Ross IV and Turner Ross
TCHOUPITOULAS is a lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets. The filmmakers fully immerse us into the New Orleans night, passing through many lively and luminous locations and introducing us to the people who make the city their home.
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Welcome to Pine Hill Dir. Keith Miller
WELCOME TO PINE HILL is an extension of Miller’s earlier short film PRINCE/WILLIAM about an unexpected encounter surrounding a lost dog. Blurring the line between documentary and fiction, PINE HILL follows that short’s protagonist Shannon, a reformed drug dealer who is now an insurance claims adjuster, in the days following a grim medical diagnosis. Shannon, portrayed in an extraordinarily intimate performance by first time actor Shannon Harper, sets out to make peace with those around him and in turn find his own peace beyond the cacophony of New York City.
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About Sunny Dir. Bryan Wizemann
ABOUT SUNNY is a suspenseful drama about Angela, a struggling, single mother in Las Vegas who is trying to hold her life together for her daughter Sunny. As her life spirals out of control, Angela finally reaches a breaking point and is faced with an impossible choice: can she give up what she loves most for the promise of a better life for Sunny? An emotionally gripping character piece that shows us Angela’s heart-wrenching dilemma with both immediacy and compassion, ABOUT SUNNY is moving and deeply resonant, and features a career-defining performance from Ambrose which has already garnered significant critical acclaim by many top-tier critics.
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Off Label Dir. Michael Palmieri & Donal Mosher
Doctors today are liberally writing prescriptions for psychotropic drugs such as Adderall, Ambien, Zoloft, and Prozac (to name but a very few). Often these drugs are combined in polypharmacy cocktails or are given out for unapproved or untested indications, leading to abuse, dangerous side effects, and heavy dependence. In OFF LABEL, Michael Palmieri and Donal Mosher (October Country) examine our runaway pharma-culture by weaving together the stories of drug-testing subjects, Big Pharma representatives, and many others touched by the rampant use of pharmaceuticals. Together, they create a poetic, sometimes amusing and frequently heartbreaking emotional road trip through an overmedicated, misdiagnosed, and drug-addled America.
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We Can't Go Home Again / Don't Expect Too Much Dir. Nicholas Ray & Susan Ray
About WE CAN'T GO HOME AGAIN
The most complete, newly restored version of Nicholas Ray’s experimental masterpiece, made with his students at the State University of New York at Binghamton, WE CAN'T GO HOME AGAIN embodies Ray’s approach to filmmaking as a communal way of life. The film records Ray’s groundbreaking use of multiple image as a way of telling more than one story simultaneously, and of colorization as a way to heighten emotional expression. He called it a “journalistic” film, one that shares the anthropologists’ aim of recording the “history, progress, manners, morals, and mores of everyday life,” at a critical moment in American history. Ray plays himself in the film, serving as mentor, friend, and reference point around whom the students’ stories constellate.
About DON'T EXPECT TOO MUCH
Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with WE CAN'T GO HOME AGAIN, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? DON'T EXPECT TOO MUCH, a full-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video, and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of WE CAN'T GO HOME AGAIN, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned, and taught, how he fought and danced with his demons, how he loved.
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Brooklyn Brothers Beat The Best Dir. Ryan O'Nan
Recently dumped by his girlfriend, underachiever Alex (O’Nan) embarks on an impromptu road trip with his new bandmate, the eccentric Jim (Michael Weston). By channeling their inner children and giving a new meaning to the term “lo-fi,” Alex and Jim find their unique style by bringing the sound of children’s instruments to their unsuspecting fans. Playing a series of bizarre shows and experiencing multiple near-disasters, Alex and Jim’s persistence takes them on a true coming-of-age journey – one that may be their last shot at achieving their childhood dreams.
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Oma & Bella Dir. Alexa Karolinski
Two older Jewish women, best friends who live together in Berlin (and one of whom, Regina “Oma” Karolinski, is the filmmaker’s grandmother), are Holocaust survivors who have remained in Germany since the war. Oma and Bella spend their days telling stories and cracking jokes, dispensing advice, and devoting the majority of their time to their greatest love of all—cooking. Their cooking is a passionate connection to their culture and heritage, a demonstration of their creativity and skill, and a showcase for some of the most unique and delicious looking dishes we’ve ever seen on film (Karolisnki has also recently self-published a cookbook featuring Oma and Bella’s one-of-a-kind recipes).
OMA & BELLA paints an intimate portrait of two incredibly strong, funny, endearing women who look candidly at their lives as they both wrestle with the past and engage with the present.
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28 Hotel Rooms Dir. Matt Ross
In this sexy, surprising romance, a man and a woman meet each other in a hotel while they are both traveling on business. Flirtation leads to a feverish night of sex that both find hard to forget. Although she’s married, and he has a girlfriend, their intense attraction turns a seemingly casual one-night stand into a continual series of passionate hotel trysts, uniting them in a profound and unconventional relationship.
Unfolding as a collage of moments—some sexy, some innocent, some profound, some silly—28 HOTEL ROOMS is an intimate portrait of an affair in which two people wrestle with the intoxication of sex and the confusion of loving more than one person.
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Tim and Susan Have Matching Handguns Dir. Joe Callander
Clocking in at a robust 95 seconds, TIM AND SUSAN is a romantic tale of love, life, and the right to bear arms.
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Gretchen Dir. Steve Collins
Social misfit Gretchen Finkle (Courtney Davis) has spent high school falling for losers, and senior year isn't any different. But when she becomes obsessed with bad boy Ricky (John Merriman), her mother sends her to an inpatient therapy clinic. Gretchen realizes she must take responsibility for her life and the choices she makes.
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Meek's Cutoff Dir. Kelly Reichardt
The year is 1845, the earliest days of the Oregon Trail, and a wagon train of three families has hired mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a shortcut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants face the scourges of hunger, thirst and their own lack of faith in one another's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as a natural born enemy.
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Bellflower Dir. Evan Glodell
Best friends Woodrow and Aiden spend all of their free time building MAD MAX-inspired flamethrowers and muscle cars in preparation for a global apocalypse. But when Woodrow meets a charismatic young woman and falls hard in love, he and Aiden quickly integrate into a new group of friends, setting off on a journey of love and hate, betrayal, infidelity, and extreme violence more devastating and fiery than any of their apocalyptic fantasies.
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Who Took the Bomp? Le Tigre on Tour Dir. Kerthy Fix
WHO TOOK THE BOMP? LE TIGRE ON TOUR follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour across four continents and through ten countries. Supported by a community of devoted fans and led by outspoken Riot Grrrl pioneer Kathleen Hanna (Bikini Kill), Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage via performance art poetics, no-holds-barred lyrics, punk rock ethos, and whip-smart wit in this edgy and entertaining documentary. Directed by Kerthy Fix (STRANGE POWERS: STEPHIN MERRITT AND THE MAGNETIC FIELDS), WHO TOOK THE BOMP? LE TIGRE ON TOUR features never before seen live performances, archival interviews, and revealing backstage footage with these trail-blazing artists.
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Rebirth Dir. Jim Whitaker
REBIRTH is a riveting journey into living history – an act of personal witness to one of the most profound events in American history and the healing that has come in its wake.
The result of a decade-long process by director Jim Whitaker, the inspirational story of REBIRTH follows the nearly ten-year transformation of five people whose lives were forever altered on September 11, 2001 – and simultaneously tracks via unprecedented multi-camera time-lapse photography the minute-by-minute evolution of the space where the Twin Towers once rose. Both a singular cinematic and human experience, REBIRTH is deeply intimate and uplifting - providing a moving portrait of how trauma and grief metamorphose into hope and rebuilding as the human spirit transcends the unthinkable over time.
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The Other F Word Dir. Andrea Blaugrund Nevins
This revealing and touching film asks what happens when a generation's ultimate anti-authoritarians – punk rockers – become society's ultimate authorities – dads. With a large chorus of punk rock's leading men - Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against’s Tim McIlrath - THE OTHER F WORD follows Jim Lindberg, a 20-year veteran of the skate punk band Pennywise, on his hysterical and moving journey from belting his band's anthem ”F--k Authority,” to embracing his ultimately authoritarian role in mid-life: fatherhood.
Other dads featured in the film include skater Tony Hawk, Art Alexakis (Everclear), Mark Mothersbaugh (Devo), Tony Adolescent (The Adolescents), Fat Mike (NOFX), Lars Frederiksen (Rancid), and many others.
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FLOW Dir. Irena Salina
Irena Salina's award-winning documentary investigation into what experts label the most important political and environmental issue of the 21st Century: the world water crisis.
Salina builds a case against the growing privatization of the world's dwindling fresh water supply with an unflinching focus on politics, pollution, human rights, and the emergence of a domineering world water cartel.
Interviews with scientists and activists intelligently reveal the rapidly building crisis at both the global and human scale, and the film introduces many of the governmental and corporate culpritsbehind the water grab, while begging the question 'CAN ANYONE REALLY OWN WATER?'
Beyond identifying the problem, FLOW also gives viewers a look at the people and institutions providing practical solutions to the water crisis and those developing new technologies, which are fast becoming blueprints for a successful global and economic turnaround.
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Exit Through the Gift Shop Dir. Banksy
The incredible true story of how the greatest graffiti movie of all time was never made...
EXIT THROUGH THE GIFT SHOP is a chaotic trip through low-level criminality, comradeship, and incompetence. By turns shocking, hilarious and absurd, this is an enthralling modern-day fairytale... with bolt cutters.
This is the inside story of Street Art—a brutal and revealing account of what happens when fame, money, and vandalism collide. EXIT THROUGH THE GIFT SHOP follows an eccentric shopkeeper turned amateur filmmaker as he attempts to capture many of the world's most infamous vandals on camera, only to have famed British stencil artist Banksy turn the camcorder back on its owner in one of the most provocative films about art ever made.
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Dark Days Dir. Marc Singer
For years, a homeless community took root in a train tunnel beneath New York City, braving dangerous conditions and perpetual night. DARK DAYS explores this surprisingly domestic subterranean world, unearthing a way of life unimaginable to those above. Through stories simultaneously heartbreaking, hilarious, intimate, and off the cuff, tunnel dwellers reveal their reasons for taking refuge and their struggle to survive underground.
Filmed in striking black and white with a crew comprised of the tunnel’s inhabitants and scored by legendary turntablist DJ Shadow (Endtroducing…), DARK DAYS remains a soulful and enduring document of life on the fringe.
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The Unloved Dir. Samantha Morton
Two-time Academy Award nominee Samantha Morton's directorial debut THE UNLOVED is a powerful and personal look at the strength and resilience of youth. Morton tells the story of eleven-year-old Lucy (newcomer Molly Windsor) seeking refuge as a ward of the state from her abusive father (Robert Carlyle). Placed in a tumultuous foster home, Lucy befriends her rebellious teenage roommate Lauren (Lauren Socha), and together they navigate the cold and uncaring world before them.
With a screenplay by Tony Grisoni (FEAR AND LOATHING IN LAS VEGAS) based on original material by Samantha Morton, THE UNLOVED captures the subtle magic and melancholy of childhood while painting an honest portrait of a girl torn between a broken family and an inept social system.
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Four Lovers Dir. Antony Cordier
In this sexy, French romantic drama, two couples decide to explore the boundaries of their relationships by swapping partners. What starts as a fun, free-spirited ménage-a-4 experimentation full of sleepovers, shared vacations, and dinner parties soon turns into a hotbed of desire, anger, and confusion. As their arrangement leads them down an increasingly surprising and provocative path, the lovers begin to question their personal choices and lifestyles, leading to consequences none of them could foresee.
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Dying To Do Letterman Dir. Joke Fincioen & Biagio Messina
When 35 year old stand-up comedian Steve Mazan learns he has cancer, he dedicates his life to achieving his dream of performing comedy on The Late Show with David Letterman. DYING TO DO LETTERMAN chronicles Steve’s five-year journey, as he races his own ticking clock to achieve a nearly impossible goal. Hilarious, heart-breaking, and ultimately inspirational, Steve’s journey brings a brand-new perspective to living with cancer. This is a story that proves it’s not how much time you have, it’s what you do with it. As Steve says, ‘If you stop chasing your dreams, you’re already dead.’
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Howl Dir. Rob Epstein and Jeffrey Friedman
James Franco stars as the young Allen Ginsberg – poet, counter-culture adventurer and chronicler of the Beat Generation. In his famously confessional, leave-nothing-out style, Ginsberg recounts the road trips, love affairs and search for personal liberation that led to the most timeless and electrifying work of his career, the poem HOWL. Meanwhile, in a San Francisco courtroom, HOWL is on trial. Prosecutor Ralph McIntosh (Strathairn) sets out to prove that the book should be banned, while suave defense attorney Jake Ehrlich (Hamm) argues fervently for freedom of speech and creative expression. The proceedings veer from the comically absurd to the passionate as a host of unusual witnesses (Jeff Daniels, Mary-Louise Parker, Treat Williams, Alesssandro Nivola) pit generation against generation and art against fear in front of conservative Judge Clayton Horn (Bob Balaban).
HOWL is simultaneously a portrait of a renegade artist breaking down barriers to find love and redemption and an imaginative ride through a prophetic masterpiece that rocked a generation and was heard around the world.
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Gunnin' For That #1 Spot Dir. Adam Yauch
On the corner of 155th Street and Frederick Douglas Boulevard in Harlem, New York, lies Rucker Park. By appearances, the green concrete pavement, anchored on either end by its run down slab bleachers, is no different than any other basketball court in the city. But this is the place where nicknames are earned and legends are made.
On September 1, 2006, the top 24 high school basketball players in the nation stepped out on this same court that once saw the likes of Wilt Chamberlain, Kareem Abdul-Jabbar, and Dr. J to compete in the first annual "Boost Mobile Elite 24 Hoops Classic." GUNNIN' FOR THAT #1 SPOT documents these athletes' skills on the most legendary court in the world, showing never before seen footage of that "Elite 24" game.
Directed by Adam Yauch (founding member of the Hip Hop trio the Beastie Boys and director of "Awesome; I Fuckin' Shot That"), the film follows eight of the country's premiere high school basketball players on the fast track to the NBA, as they are adored by fans, wooed by colleges and sneaker companies, and groomed to be in the spotlight of the multi-million dollar game. Blending this next generation of b-ball players with a mix of raw hip-hop, jazz, break beats, and Yauch's unique kinetic filmmaking, GUNNIN' is an explosively entertaining look at soon-to-be NBA All Stars.
Oscilloscope Pictures presents GUNNIN' FOR THAT #1 SPOT, featuring Jerryd Bayless, Michael Beasley, Tyreke Evans, Donte Greene, Brandon Jennings, Kevin Love, Kyle Singler, and Lance Stephenson.
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A Film Unfinished Dir. Yael Hersonski
At the end of WWII, 60 minutes of raw film, having sat undisturbed in an East German archive, was discovered. Shot by the Nazis in Warsaw in May 1942, and labeled simply "Ghetto," this footage quickly became a resource for historians seeking an authentic record of the Warsaw Ghetto. However, the later discovery of a long-missing reel complicated earlier readings of the footage. A FILM UNFINISHED presents the raw footage in its entirety, carefully noting fictionalized sequences (including a staged dinner party) falsely showing "the good life" enjoyed by Jewish urbanites, and probes deep into the making of a now-infamous Nazi propaganda film.
A FILM UNFINISHED is a film of enormous import, documenting some of the worst horrors of our time and exposing the efforts of its perpetrators to propel their agenda and cast it in a favorable light.
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Monogamy Dir. Dana Adam Shapiro
Increasingly anxious about his impending marriage to Nat (Rashida Jones) and thoroughly bored with his day job as a wedding photographer, Theo (Chris Messina) establishes a hobby: he's hired by clients to clandestinely snap voyeuristic photos of them as they go about their days. Things go smoothly until a sexy exhibitionist (Meital Dohan) leads him into an all-consuming obsession. As Theo stalks her day and night, the woman's mysterious public trysts send him reeling, forcing him to confront uncomfortable truths about his sex life at home.
MONOGAMY is an acutely observed portrait of a relationship on the brink, a timely tale of masculinity tested by fantasy and fear of commitment.
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Dear Zachary Dir. Kurt Kuenne
On November 5, 2001, Dr. Andrew Bagby was murdered in a parking lot in western Pennsylvania; the prime suspect, his ex-girlfriend Dr. Shirley Turner, promptly fled the United States for St. John's, Canada, where she announced that she was pregnant with Andrew's child. She named the little boy Zachary.
Filmmaker Kurt Kuenne, Andrew's oldest friend, began making a film for little Zachary as a way for him to get to know the father he'd never meet. But when Shirley Turner was released on bail in Canada and was given custody of Zachary while awaiting extradition to the U.S., the film's focus shifted to Zachary's grandparents, David & Kathleen Bagby, and their desperate efforts to win custody of the boy from the woman they knew had murdered their son.
What happened next, no one ever could have foreseen…
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William S. Burroughs: A Man Within Dir. Yony Leyser
Featuring never-before-seen archival footage of Burroughs, as well as exclusive interviews with colleagues and confidants including John Waters, Patti Smith, Iggy Pop, Gus Van Sant, Genesis Breyer P-Orridge, Sonic Youth, Laurie Anderson, Amiri Baraka, Jello Biafra, and David Cronenberg, WILLIAM S. BURROUGHS: A MAN WITHIN is a probing, yet loving look at the man whose works at once savaged conservative ideals, spawned countercultural movements, and reconfigured 20th century culture. The film is narrated by Peter Weller, with a soundtrack by Patti Smith and Sonic Youth.
Burroughs was one of the first writers to break the boundaries of queer and drug culture in the 1950's. His novel Naked Lunch is one of the most recognized and respected literary works of the 20th century and has influenced generations of artists. The intimate documentary breaks the surface of the troubled and brilliant world of one of the greatest authors of all time.
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I Knew It Was You Dir. Richard Shepard
An exploration into the life of the exceptional but little-known actor John Cazale. Cazale's film career consisted of just five movies, but all of them were Academy Award® nominees for Best Picture; THE GODFATHER, THE GODFATHER: PART II, THE CONVERSATION, DOG DAY AFTERNOON and THE DEER HUNTER. He is remembered by these colleagues as one of the brightest talents of his day, but yet, after just three decades after his promising career ended with his untimely death, Cazale is largely unknown the general public. I KNEW IT WAS YOU seeks to remedy the disparity of Cazale's success with his relative anonymity.
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Wendy and Lucy Dir. Kelly Reichardt
Proving why she is one of the most highly-regarded auteurs of current cinema, Kelly Reichardt's (OLD JOY) subtle storytelling technique uses a formal minimalist style to weave together a unique emotional and political road film.
Wendy Carroll (Michelle Williams) is driving to Ketchikan, Alaska, in hopes of a summer of lucrative work at the Northwestern Fish cannery, and the start of a new life with her dog, Lucy. When her car breaks down in Oregon, however, the thin fabric of her financial situation comes apart, and she confronts a series of increasingly dire economic decisions, with far-ranging repercussions for herself and Lucy. WENDY AND LUCY addresses issues of sympathy and generosity at the edges of American life, revealing the limits and depths of people's duty to each other in tough times.
Based on the short story "TRAIN CHOIR" by Jon Raymond.
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Burma VJ Dir. Anders Østergaard
Anders Østergaard's award-winning documentary shows a rare inside look into the 2007 uprising in Myanmar through the cameras of the independent journalist group, Democratic Voice of Burma.
While 100,000 people (including 1,000s of Buddhist monks) took to the streets to protest the country's repressive regime that has held them hostage for over 40 years, foreign news crews were banned to enter and the Internet was shut down. The Democratic Voice of Burma, a collective of 30 anonymous and underground video journalists (VJs) recorded these historic and dramatic events on handycams and smuggled the footage out of the country, where it was broadcast worldwide via satellite. Risking torture and life imprisonment, the VJs vividly document the brutal clashes with the military and undercover police – even after they themselves become targets of the authorities.
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Tell Them Anything You Want Dir. Lance Bangs & Spike Jonze
From Lance Bangs and Spike Jonze, acclaimed director of WHERE THE WILD THINGS ARE, comes A PORTRAIT OF MAURICE SENDAK, a loving look at one of the most cherished and controversial figures in children's literature. Featuring TELL THEM ANYTHING YOU WANT, this is a deeply moving tribute to Sendak, a seminal talent whose conflicts with success and lifelong obsession with death have subtly influenced his work.
Now 81, Sendak is best known for his book, WHERE THE WILD THINGS ARE, which he wrote twelve years into his career as a writer and illustrator. WILD THINGS would go on to become one of the most beloved and critically lauded children's books of all time and, much to Sendak's chagrin, would come to define his career. Through his own words, personal photos, and illustrations, Sendak offers a rare, intimate, and unexpected look at his exceptional life. A TRIBUTE TO MAURICE SENDAK also features James Gandolfini, Meryl Streep, Catherine Keener, and Tony Kushner honoring their friend and colleague.
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Frontrunners Dir. Caroline Suh
FRONTRUNNERS is a smart and funny political documentary that follows the student council presidential campaign at one of the country's most prestigious public high schools: Stuyvesant High School in New York City.
An entertaining and symbolic campaign film, put forth in classic verité style, we follow four charming and idiosyncratic candidates as they navigate an electoral process that is said to be one of the most competitive at the high school level. These teenaged candidates face the same issues as candidates of any age, such as picking the 'right' running mate, shaking as many hands as possible, preparing for televised debates, impressing the pundits and journalistic community, addressing sensitive race-related issues, and mobilizing an apathetic voter base.
A microcosm of the U.S. Presidential elections, Caroline Suh's film shows politicking and pluralities through the lens of the adolescent experience.
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Treeless Mountain Dir. So Yong Kim
When their mother needs to leave in order to find their estranged father, seven year-old Jin and her younger sister, Bin, are left to live with their Big Aunt for the summer. With only a small piggy bank and their mother's promise to return when it is full, the two young girls are forced to acclimate to changes in their family life. Counting the days, and the coins, the two bright-eyed young girls eagerly anticipate their mother's homecoming. But when the bank fills up, and with their mother still not back, Big Aunt decides that she can no longer tend to the children. Taken to live on their grandparents' farm, it is here that Jin comes to learn the importance of family bonds in this beautiful, meditative, and thought-provoking second feature from So Yong Kim, the acclaimed director of IN BETWEEN DAYS.
Variety's Robert Koehler said of Kim's film: "drawing out beautifully natural performances from her child actors, Kim once again has a distinct way of letting her camera observe her characters with kind thoughtfulness, allowing for a quiet mood to wash over the scenes."
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Terribly Happy (Frygtelig lykkelig) Dir. Henrik Ruben Genz
Robert Hanson (Jakob Cedergren) is a Copenhagen police officer who, following a nervous breakdown, is transferred to a small provincial town to take on the mysteriously vacated Marshall position and subsequently gets mixed up with a married femme fatale. Robert’s big city temperament makes it impossible for him to fit in, or understand the uncivilized, bizarre behavior displayed by the townspeople. Quickly spiraling downward into an intense fable reminiscent of the Coen Brothers’ BLOOD SIMPLE and NO COUNTRY FOR OLD MEN, TERRIBLY HAPPY displays a unique, often macabre vision of the darkest depths to which people will go to achieve a sense of security and belonging.
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Not Your Typical Bigfoot Movie Dir. Jay Delaney
Dallas Gilbert and Wayne Burton, best friends from a dying former steel town in Ohio, are out to convince the world that Bigfoot exists. They have amassed a vast library of video footage and still photographs of proof (their website is highly trafficked) after years of venturing into the forest, day and night, to the capture shots of the legendary creature in its native habitat.
Dallas is the gregarious of the dyad is a Reiki master who uses Sasquatch calls into the wild and claims to have a sheep's bone in his skull; some claim Dallas to be one of the world's leading big foot researchers. Wayne is the repressed, emotional of the gang- a former high-school bully who currently works at a car wash and is living paycheck to paycheck.
Seeking fame, fortune, and notoriety, Wayne and Dallas's friendship is tested when a nationally recognized high-profile California BF researcher makes a stop in their town. Director Jay Delaney's honest and often funny look at their lives, proves that Bigfoot certainly is alive and well in Wayne and Dallas' world.
*Both Dallas and Wayne are happily married with kids.
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Scott Walker: 30 Century Man Dir. Stephen Kijak
SCOTT WALKER: 30 CENTURY MAN is a rare glimpse into the creative world of the most enigmatic figure in rock history, and will trace the undeniable impact he has had on popular music through casual interviews with some of his biggest, highest profile fans.
We explore his fascinating trajectory, from jobbing bass player on LA's Sunset Strip, to his domination of the British pop scene that began in the swinging summer of 1965, to his transformation into a composer of true genius; an uncompromising and serious musician working at the peak of his powers.
At age 63, over the course of 2005, he went into the studio again, working on what could be his greatest artistic statement yet - and we were invited to document part of this process – a privilege no filmmaker has ever been granted.
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The Garden Dir. Scott Hamilton Kennedy
An Academy Award nominated documentary, THE GARDEN is an engaging and powerful look at the famous political and social battle over the largest community garden in the U.S (located in south central Los Angeles).
A follow-up to Kennedy's award-winning documentary, OT: OUR TOWN, the film shows how the politics of power and greed (backroom deals, land developing, green politics, money) tragically intersect with working class families who rely on this communal garden for their livelihood. Equal parts THE WIRE and HARLAN COUNTY, USA, THE GARDEN, exposes the fault lines in American society and raises crucial and challenging questions about liberty, equality, and justice for the poorest and most vulnerable among us.
Kenneth Turan of the LA Times said: "It's tempting to call "The Garden" a story of innocence and experience, of evil corrupting paradise, but that would be doing a disservice to the fascinating complexities of a classic Los Angeles conflict and an excellent documentary that does them full justice."
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Unmistaken Child Dir. Nati Baratz
The Buddhist concept of reincarnation, while both mysterious and enchanting, is hard for most westerners to grasp. UNMISTAKEN CHILD follows the 4-year search for the reincarnation of Lama Konchog, a world-renowned Tibetan master who passed away in 2001 at age 84. The Dalai Lama charges the deceased monk's devoted disciple, Tenzin Zopa (who had been in his service since the age of seven), to search for his master's reincarnation.
Tenzin sets off on this unforgettable quest on foot, mule and even helicopter, through breathtaking landscapes and remote traditional Tibetan villages. Along the way Tenzin listens to stories about young children with special characteristics, and performs rarely seen ritualistic tests designed to determine the likelihood of reincarnation. He eventually presents the child he believes to be his reincarnated master to the Dalai Lama so that he can make the final decision.
Stunningly shot, UNMISTAKEN CHILD is a beguiling, surprising, touching, even humorous experience.
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The Paranoids Dir. Gabriel Medina
Gabriel Medina's wonderfully crafted debut feature is a fresh, visually innovative, and often hilarious glimpse into the lives of some very offbeat, yet human, characters.
Thirty-something Luciano Gauna is odd. A failing screenwriter in Buenos Aires, Luciano lives in an almost intense state of paranoia, afraid of everything from STDs to even his doorman. When his childhood friend Manuel, a very successful TV producer, returns from Madrid with his stunning new girlfriend Sofia, his world is thrown into a near desperate funk. He discovers that Manuel has unflatteringly modeled him as the lead character on a successful Spanish TV show called THE PARANOIDS, which Manuel is now bringing to Argentina.
When Manuel leaves on a business trip to Chile, Lucian's remaining grip on reality unravels when he's left alone with Sofia and her alluring charm.
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Kisses Dir. Lance Daly
On the fringes of Dublin two kids, Kylie and Dylan, live in a suburban housing estate devoid of life, colour and the prospect of escape. Kylie lives with five other siblings and her overworked mother. Next door, Dylan lives in the shadow of an alcoholic father and the memory of an elder brother who ran away from home two years earlier.
After a violent altercation with his father, Dylan runs away from home and Kylie decides to run away with him. Together they make their way to the magical night time lights of inner city Dublin, to search for Dylan's brother, and in the hope of finding, through him, the possibility of a new life.
Lance Daly's vision of Dublin, as seen through the innocent eyes of our protagonists, is a kaleidoscope of magic, wonder and mystery. But as the night wears on, and Dublin takes on a darker character, the two kids have to rely on the kindness of strangers, the advice of Bob Dylan and their trust in each other to survive the night.
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No Impact Man Dir. Laura Gabbert and Justin Schein
Author Colin Beavan, in research for his next book, began the No Impact Project in November 2006. A newly self-proclaimed environmentalist who could no long avoid pointing the finger at himself, Colin leaves behind his liberal complacency for a vow to make as little environmental impact as possible for one year. No more automated transportation, no more electricity, no more non-local food, no more material consumption...no problem. That is, until his espresso-guzzling, retail-worshipping wife Michelle and their two year-old daughter are dragged into the fray.
Laura Gabbert and Justin Schein's film provides a front row seat into the familial strains and strengthened bonds that result from Colin's and Michelle's struggle with this radical lifestyle change.
No Impact Man blog
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No Impact Man Facebook page
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The Law (La Loi) Dir. Jules Dassin
THE LAW (previously released in the US as Where the Hot Wind Blows) stars Gina Lollobrigida, Marcello Mastroianni, Yves Montand, Melina Mercouri, and Pierre Brasseur. Lollobrigida plays Marietta, the gorgeous housekeeper to Don Cesare (Brasseur), the patriarch of a small Mediterranean coastal town. Lusted after by many men, including Francesco (Montand), the son of a local crime boss, Marietta has her own desires, consisting of the poor Enrico (Mastroianni). Determined to secure the dowry that will enable her to marry Enrico, Marietta connives the men of the town by turning the tables on them using their own vicious drinking game which they call "The Law." Haden Guest, Director of the Harvard Film Archive called the film "a totally underrated and underappreciated gem."
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The Thorn in the Heart (L'Epine dans le Coeur) Dir. Michel Gondry
THE THORN IN THE HEART (L'Epine dans le Coeur) is a personal look at the life of Gondry family matriarch, Michel's aunt Suzette Gondry, and her relationship with her son, Jean-Yves.
Michel examines Suzette's years as a school teacher and her life in rural France. During the course of filming the documentary, Michel unearths new family stories and uses his camera to explore them in a subtle and sensitive way.
THE THORN IN THE HEART had its world premiere screening in the official selection at the 2009 Cannes Film Festival.
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The Messenger Dir. Oren Moverman
Co-written by Oren Moverman and Alessandro Camon, THE MESSENGER is a powerful and tender story about a returned war hero making his first steps toward a normal life.
In his first leading role, Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army's Casualty Notification service. Partnered with fellow officer Tony Stone (Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Morton), to whom he has just delivered the news of her husband's death, Will's emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.
Featuring tour-de-force performances from Foster, Harrelson and Morton, and a brilliant directorial debut by Moverman, THE MESSENGER brings us into the inner lives of these outwardly steely heroes to reveal their fragility with compassion and dignity.
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Beautiful Losers Dir. Aaron Rose
BEAUTIFUL LOSERS celebrates the spirit behind one of the most influential cultural moments of a generation.
In the early 1990's a loose-knit group of like-minded outsiders found common ground at a little NYC storefront gallery. Rooted in the DIY (do-it-yourself) subcultures of skateboarding, surf, punk, hip-hop, and graffiti, they made art that reflected the lifestyles they led. Developing their craft with almost no influence from the "establishment" art world, this group, and the subcultures they sprang from, created a movement that transformed pop culture.
Starring Shepard Fairey, OBEY founder and creator of the Barack Obama "Hope" poster; award-winning pro skater Ed Templeton; Harmony Korine, writer of the cult favorite KIDS and director of GUMMO and MISTER LONELY; and Mike Mills, director of THUMBSUCKER and designer of album covers for Beck, Beastie Boys, Sonic Youth, and more. Also starring Barry McGee, Chris Johanson, Geoff McFetridge, Jo Jackson, Margaret Kilgallen, Stephen Powers, and Thomas Campbell.
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The Exploding Girl Dir. Bradley Rust Gray
When twenty-year-old Ivy heads home Spring Break with a fresh romance in her heart, everything seems to be going perfectly. When her best friend Al finds himself without lodgings, Ivy and her mother take him in and Ivy and Al's friendship strengthens while her boyfriend grows more distant from afar. Increasingly distressed about her conflicting feelings, Ivy must stay resilient in the face of her epilepsy, lest her emotions become something she can't control. Marking Zoe Kazan's first leading role, Bradley Rust Gray's film is a meditative and realistic portrait of a young girl coming of age and finding a deeper kind of love in New York City.
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Youssou N'Dour: I Bring What I Love Dir. Elizabeth Chai Vasarhelyi
YOUSSOU N'DOUR: I BRING WHAT I LOVE is a gorgeously photographed, music infused cinematic portrait of world famous Senegalese pop sensation Youssou N'Dour. Best known in the West for his collaborations with Bono and Peter Gabriel, N'Dour is one of the most beloved musicians in pop music and his legendary career has spanned decades.
In 2004, responding to negative perceptions about his Muslim faith, N'Dour recorded EGYPT, a deeply spiritual album dedicated to a more tolerant view of Islam. In a critical and career-defining moment, the album was awarded the 2004 Grammy® for BEST WORLD MUSIC ALBUM. While Western audiences embraced N'Dour's brave musical message, it encountered a serious religious backlash in his native country of Senegal where N'Dour is considered a national hero. Local critics and the media accused him of insulting Islam, arguing that pop and religious music should not mix.
Combining unprecedented images of Senegal's most sacred Muslim rituals, vibrant concert performances filmed around the world, and intimate access to N'Dour and his family, I BRING WHAT I LOVE chronicles the difficult path this remarkable artist must take. It is a stirring journey of faith, redemption, and the power of music to overcome intolerance.
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The Maid Dir. Sebastián Silva
After 23 years working as a devoted maid in an upper class Chilean household, embittered and ailing Raquel (Sundance Film Festival and Gotham Award winner Catalina Saavedra) can no longer care for the family alone. Trapped by guilt, matriarch Pilar (Claudia Celedón) refuses to let Raquel go, even though it is clear their longtime maid is slowly unraveling. Instead, Pilar hires more help, throwing Raquel into a jealous frenzy. The seemingly happy home soon becomes the stage for Raquel's dirty tricks as she attempts to drive away anyone who threatens to take her place with darkly comedic, and in the end, endearing results.
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Bananas!* Dir. Fredrik Gertten
BANANAS!* is a suspenseful court room drama that examines the intricacies and injustices of the global politics of food.
Focusing on a landmark and highly controversial legal case pitting a dozen Nicaraguan banana plantation workers against Dole Food Corporation, BANANAS!* uncovers the alleged usage of a banned pesticide and its probable link to generations of sterilized workers.
Central to both the film and case is Juan “Accidentes” Dominguez, a Los Angeles-based personal injury attorney who, although iconic within the Latino community for his ubiquitous billboard ads, is unquestionably facing the biggest case and challenge of his career.
At stake in the classic David vs. Goliath story are the futures of generations of workers and their families, as well as the culture of global, multinational business. If successful, the case could rock the economic foundations of Dole, and would open the US courts to other global victims, representing a new day in international justice.
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Rare Exports: A Christmas Tale Dir. Jalmari Helander
It's the eve of Christmas in northern Finland, and an 'archeological' dig has just unearthed the real Santa Claus. But this particular Santa isn't the one you want coming to town. When the local children begin mysteriously disappearing, young Pietari and his father Rauno, a reindeer hunter by trade, capture the mythological being and attempt to sell Santa to the misguided leader of the multinational corporation sponsoring the dig. Santa's elves, however, will stop at nothing to free their fearless leader from captivity. What ensues is a wildly humorous nightmare – a fantastically bizarre polemic on modern day morality.
RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and is a darkly comic gem soon to be required perennial holiday viewing.
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Compassion in Emptiness Dir. N/A
Each year, His Holiness the Dalai Lama travels the world offering teachings and public talks to individuals from many different faiths and backgrounds. In 2010, His Holiness traveled to New York City to teach A Commentary on Bodhicitta by Nagarjuna and A Guide to the Bodhisattva’s Way of Life by Shantideva.
Following the teachings, His Holiness the Dalai Lama went on to address a sold out crowd at Radio City Music Hall with Awakening the Heart of Selflessness, a public talk followed by a candid question and answer session. In this talk, His Holiness discusses ways in which one can achieve the realization of selflessness and ultimately achieve inner peace, which in turn generates a genuine sense of responsibility for the happiness of others and eventually creates a more compassionate world for everyone.
Hosted by The Gere Foundation and The Tibet Center and brought to you by Oscilloscope Laboratories, COMPASSION IN EMPTINESS presents two historic records of one of the world’s most important spiritual leaders and his unique message of wisdom and compassion.
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