Who Took the Bomp? Le Tigre on Tour Dir. Kerthy Fix
WHO TOOK THE BOMP? LE TIGRE ON TOUR follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour across four continents and through ten countries. Supported by a community of devoted fans and led by outspoken Riot Grrrl pioneer Kathleen Hanna (Bikini Kill), Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage via performance art poetics, no-holds-barred lyrics, punk rock ethos, and whip-smart wit in this edgy and entertaining documentary. Directed by Kerthy Fix (STRANGE POWERS: STEPHIN MERRITT AND THE MAGNETIC FIELDS), WHO TOOK THE BOMP? LE TIGRE ON TOUR features never before seen live performances, archival interviews, and revealing backstage footage with these trail-blazing artists.
FLOW Dir. Irena Salina
Irena Salina's award-winning documentary investigation into what experts label the most important political and environmental issue of the 21st Century: the world water crisis.
Salina builds a case against the growing privatization of the world's dwindling fresh water supply with an unflinching focus on politics, pollution, human rights, and the emergence of a domineering world water cartel.
Interviews with scientists and activists intelligently reveal the rapidly building crisis at both the global and human scale, and the film introduces many of the governmental and corporate culpritsbehind the water grab, while begging the question 'CAN ANYONE REALLY OWN WATER?'
Beyond identifying the problem, FLOW also gives viewers a look at the people and institutions providing practical solutions to the water crisis and those developing new technologies, which are fast becoming blueprints for a successful global and economic turnaround.
Howl Dir. Rob Epstein and Jeffrey Friedman
James Franco stars as the young Allen Ginsberg – poet, counter-culture adventurer and chronicler of the Beat Generation. In his famously confessional, leave-nothing-out style, Ginsberg recounts the road trips, love affairs and search for personal liberation that led to the most timeless and electrifying work of his career, the poem HOWL. Meanwhile, in a San Francisco courtroom, HOWL is on trial. Prosecutor Ralph McIntosh (Strathairn) sets out to prove that the book should be banned, while suave defense attorney Jake Ehrlich (Hamm) argues fervently for freedom of speech and creative expression. The proceedings veer from the comically absurd to the passionate as a host of unusual witnesses (Jeff Daniels, Mary-Louise Parker, Treat Williams, Alesssandro Nivola) pit generation against generation and art against fear in front of conservative Judge Clayton Horn (Bob Balaban).
HOWL is simultaneously a portrait of a renegade artist breaking down barriers to find love and redemption and an imaginative ride through a prophetic masterpiece that rocked a generation and was heard around the world.
Gunnin' For That #1 Spot Dir. Adam Yauch
On the corner of 155th Street and Frederick Douglas Boulevard in Harlem, New York, lies Rucker Park. By appearances, the green concrete pavement, anchored on either end by its run down slab bleachers, is no different than any other basketball court in the city. But this is the place where nicknames are earned and legends are made.
On September 1, 2006, the top 24 high school basketball players in the nation stepped out on this same court that once saw the likes of Wilt Chamberlain, Kareem Abdul-Jabbar, and Dr. J to compete in the first annual "Boost Mobile Elite 24 Hoops Classic." GUNNIN' FOR THAT #1 SPOT documents these athletes' skills on the most legendary court in the world, showing never before seen footage of that "Elite 24" game.
Directed by Adam Yauch (founding member of the Hip Hop trio the Beastie Boys and director of "Awesome; I Fuckin' Shot That"), the film follows eight of the country's premiere high school basketball players on the fast track to the NBA, as they are adored by fans, wooed by colleges and sneaker companies, and groomed to be in the spotlight of the multi-million dollar game. Blending this next generation of b-ball players with a mix of raw hip-hop, jazz, break beats, and Yauch's unique kinetic filmmaking, GUNNIN' is an explosively entertaining look at soon-to-be NBA All Stars.
Oscilloscope Pictures presents GUNNIN' FOR THAT #1 SPOT, featuring Jerryd Bayless, Michael Beasley, Tyreke Evans, Donte Greene, Brandon Jennings, Kevin Love, Kyle Singler, and Lance Stephenson.
Monogamy Dir. Dana Adam Shapiro
Increasingly anxious about his impending marriage to Nat (Rashida Jones) and thoroughly bored with his day job as a wedding photographer, Theo (Chris Messina) establishes a hobby: he's hired by clients to clandestinely snap voyeuristic photos of them as they go about their days. Things go smoothly until a sexy exhibitionist (Meital Dohan) leads him into an all-consuming obsession. As Theo stalks her day and night, the woman's mysterious public trysts send him reeling, forcing him to confront uncomfortable truths about his sex life at home.
MONOGAMY is an acutely observed portrait of a relationship on the brink, a timely tale of masculinity tested by fantasy and fear of commitment.
Wendy and Lucy Dir. Kelly Reichardt
Proving why she is one of the most highly-regarded auteurs of current cinema, Kelly Reichardt's (OLD JOY) subtle storytelling technique uses a formal minimalist style to weave together a unique emotional and political road film.
Wendy Carroll (Michelle Williams) is driving to Ketchikan, Alaska, in hopes of a summer of lucrative work at the Northwestern Fish cannery, and the start of a new life with her dog, Lucy. When her car breaks down in Oregon, however, the thin fabric of her financial situation comes apart, and she confronts a series of increasingly dire economic decisions, with far-ranging repercussions for herself and Lucy. WENDY AND LUCY addresses issues of sympathy and generosity at the edges of American life, revealing the limits and depths of people's duty to each other in tough times.
Based on the short story "TRAIN CHOIR" by Jon Raymond.
Treeless Mountain Dir. So Yong Kim
When their mother needs to leave in order to find their estranged father, seven year-old Jin and her younger sister, Bin, are left to live with their Big Aunt for the summer. With only a small piggy bank and their mother's promise to return when it is full, the two young girls are forced to acclimate to changes in their family life. Counting the days, and the coins, the two bright-eyed young girls eagerly anticipate their mother's homecoming. But when the bank fills up, and with their mother still not back, Big Aunt decides that she can no longer tend to the children. Taken to live on their grandparents' farm, it is here that Jin comes to learn the importance of family bonds in this beautiful, meditative, and thought-provoking second feature from So Yong Kim, the acclaimed director of IN BETWEEN DAYS.
Variety's Robert Koehler said of Kim's film: "drawing out beautifully natural performances from her child actors, Kim once again has a distinct way of letting her camera observe her characters with kind thoughtfulness, allowing for a quiet mood to wash over the scenes."
Terribly Happy (Frygtelig lykkelig) Dir. Henrik Ruben Genz
Robert Hanson (Jakob Cedergren) is a Copenhagen police officer who, following a nervous breakdown, is transferred to a small provincial town to take on the mysteriously vacated Marshall position and subsequently gets mixed up with a married femme fatale. Robert’s big city temperament makes it impossible for him to fit in, or understand the uncivilized, bizarre behavior displayed by the townspeople. Quickly spiraling downward into an intense fable reminiscent of the Coen Brothers’ BLOOD SIMPLE and NO COUNTRY FOR OLD MEN, TERRIBLY HAPPY displays a unique, often macabre vision of the darkest depths to which people will go to achieve a sense of security and belonging.
The Paranoids Dir. Gabriel Medina
Gabriel Medina's wonderfully crafted debut feature is a fresh, visually innovative, and often hilarious glimpse into the lives of some very offbeat, yet human, characters.
Thirty-something Luciano Gauna is odd. A failing screenwriter in Buenos Aires, Luciano lives in an almost intense state of paranoia, afraid of everything from STDs to even his doorman. When his childhood friend Manuel, a very successful TV producer, returns from Madrid with his stunning new girlfriend Sofia, his world is thrown into a near desperate funk. He discovers that Manuel has unflatteringly modeled him as the lead character on a successful Spanish TV show called THE PARANOIDS, which Manuel is now bringing to Argentina.
When Manuel leaves on a business trip to Chile, Lucian's remaining grip on reality unravels when he's left alone with Sofia and her alluring charm.
Kisses Dir. Lance Daly
On the fringes of Dublin two kids, Kylie and Dylan, live in a suburban housing estate devoid of life, colour and the prospect of escape. Kylie lives with five other siblings and her overworked mother. Next door, Dylan lives in the shadow of an alcoholic father and the memory of an elder brother who ran away from home two years earlier.
After a violent altercation with his father, Dylan runs away from home and Kylie decides to run away with him. Together they make their way to the magical night time lights of inner city Dublin, to search for Dylan's brother, and in the hope of finding, through him, the possibility of a new life.
Lance Daly's vision of Dublin, as seen through the innocent eyes of our protagonists, is a kaleidoscope of magic, wonder and mystery. But as the night wears on, and Dublin takes on a darker character, the two kids have to rely on the kindness of strangers, the advice of Bob Dylan and their trust in each other to survive the night.
The Law (La Loi) Dir. Jules Dassin
THE LAW (previously released in the US as Where the Hot Wind Blows) stars Gina Lollobrigida, Marcello Mastroianni, Yves Montand, Melina Mercouri, and Pierre Brasseur. Lollobrigida plays Marietta, the gorgeous housekeeper to Don Cesare (Brasseur), the patriarch of a small Mediterranean coastal town. Lusted after by many men, including Francesco (Montand), the son of a local crime boss, Marietta has her own desires, consisting of the poor Enrico (Mastroianni). Determined to secure the dowry that will enable her to marry Enrico, Marietta connives the men of the town by turning the tables on them using their own vicious drinking game which they call "The Law." Haden Guest, Director of the Harvard Film Archive called the film "a totally underrated and underappreciated gem."